In the first chapter of Thomas C. Foster's book, How To Read Literature Like A Professor, he clearly explains what is considered a quest and what is not. Foster helps the reader understand the true meaning of what defines a quest. Simply by providing examples to that of different stories, some made up, and goes through and provides a list of characteristics that are needed, so a story may be considered a quest. First it needs a quester, then a place to go, followed by a stated reason to go there, then he, she, or it must face some form of challenges or trials en route, and finally a real reason to go there. This can be seen not only in the examples provided by Mr. Foster, but throughout history, literature, and existing TV shows and movies.
For instance in ancient quest tales, Homer's Odyssey, tells of Odysseus whom the gods have cursed to wander and suffer for many years before Athena persuades the Olympians to allow him to return home. Odysseus is indeed a quester for he is unknowing of the trials he will face, he is lost in a distant world, his reason of being there is because of the god's doings, he faces many challenges and trials (such as the Cyclops), and finally he realizes why he was set there in the first place. Just as the first example Foster made of Kip, a young boy living in 1968 and his encounter with a German shepherd, Tony his enemy and the girl of his dreams, all happening as a quest, to get a loaf of wonder bread for his mother. A quest in short terms can be either complex like the Odyssey, or to the simplicity that is the made up story of Kip.
Other forms of quests can be seen in well known modern literature which is, The Wonderful Wizard of Oz, where Dorothy, the Scarecrow, the Tin man, and the Cowardly Lion go on a quest to find a way back to Kansas, brains, a heart, and courage respectively. Which Foster explains is the true meaning of questers quest, is not the mission at hand, but to find ones true meaning in life or as a person. Just like the example of Kip who goes to the store for bread, but in the end is motivated to lie and get drafted for the war in Vietnam, as Odysseus finds his true purpose in life, to once again Dorothy and the gang in the end realize what they wanted all along was inside of tem, and not some form of tangible thing. Like the other example Foster provides of, The Crying of Lot 49, Oedipa a young woman who drives to and from San Francisco to Southern California. Facing many strange, scary, and dangerous people, for in the end only to realize, that she does not need a man in her life and can just become an independent woman of self knowledge. Which brings me to another book that has a similar quest process that Oedipa went through in her story, which is, The Catcher in the Rye. It is often thought of as a quest plot, detailing Holden's search not for a tangible object but for a sense of purpose and reason in life. In general all these questers go through the same process for finding something bigger or different, from originally planned at the beginning of his or her journey.
But quests not only exists in things such as history or books, but revolve around our everyday television and movie experiences. Such as the example given by Foster like The Lord of the Rings or Star Wars, either its about Frodo's or Luke Skywalker's quest both face the same set of rules they must follow, but face forces they are far from controlling. As explained by foster himself, someone going somewhere and doing something, especially if the going and the doing wasn't his idea in the first place. The Walking Dead for example, if it is either the show or comic, the group of survivors must face many perils and dangers to stay safe, but in true reality must grow as a character, and understand ones true meaning in their new post apocalyptic world. Their fate and being is imminent and their outcome in such quest for survival is unknown. For in the end they have no choice in what to do but to obtain knowledge and understanding of this new world they live in, as either Kip or Oedipa, all questers are alike in such process, but with different journeys of course.
Either if your reading a book or watching a movie all quests follow the same patterns as explained by Foster. Foster Begins to help the reader or audience question the fact if what your reading or seeing is truly a quest. It is then put into your own hands to analyze and then either accept or decline what can be accepted as a long or arduous search for something. For in the end the quester, if it is either a warrior, a teenage girl or boy, a fantasy hero, or a group of survivors. All must realize what they truly are trying to look for or achieve is solely knowledge of oneself, and a bigger meaning than planned before at the beginning of the quest.